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Erez Marom Photography

Almost Human: Photographing Critically Endangered Mountain Gorillas

Posted on 16th January, 2020

In November of 2018 I did a trip to Africa, and spent three days photographing mountain gorillas in Uganda. It had been a long while since I'd last photographed animals. I started my way in the photography world shooting wildlife, but for many reasons I quickly became obsessed with landscape photography and went on to devote most of my time, attention and resources into this field. I have been wanting to revisit wildlife photography for ages, and when two friends of mine mentioned they were...

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Shooting Kīlauea Volcano, Part 4: From a Helicopter

Posted on 1st June, 2018

In the first part of this series, I talked about shooting Kilauea's lava surface-flows using a drone. In the second part, I talked about shooting the lava with a DSLR from the ground. In the third, I talked about shooting from a dedicated lava-viewing boat. I'd like to finish this series with a short article about shooting the lava from a helicopter. I will also try to sum up the lava shooting part of my Hawaii trip, and survey how it ended up being published. I was very...

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Shooting Kīlauea Volcano, Part 3: At Sea

Posted on 1st June, 2018

In the first part of this series, I talked about shooting Kilauea's lava surface-flows using a drone. In the second part I talked about shooting the lava with a DSLR from the ground. This time, I'd like to take you on the mini-adventure of sailing on the Pacific's rough waters and shooting the lava entering the water at the Kamokuna Ocean Entry from a dedicated lava-viewing boat.   Please note that lava flow is never guaranteed. As I'm writing this,...

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Shooting Kīlauea Volcano, Part 2: Grounded

Posted on 1st June, 2018

In the first part of this series, I talked about shooting Kilauea's lava surface-flows using a drone. Now, I'd like to take a step back and talk about shooting the lava in a more traditional method: using a DSLR on the ground. If you're inside the Hawaii Volcanoes National Park and can't fly a drone, this is the only affordable way of shooting the surface flows. But even if a drone is an option, shooting from the ground is different and will give you unique...

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Shooting Kīlauea Volcano, Part 1: How to Melt a drone

Posted on 6th December, 2017

In October this year, I spent 2 weeks shooting in Hawaii. My first stop was Big Island, where a friend and I shot the lava flows of Puʻu ʻŌʻō—a volcanic cone in the eastern rift zone of Kīlauea, a currently active shield volcano in the Hawaiian Islands, and the most active of the five volcanoes that together form the island of Hawaii (commonly known as Big Island). The Puʻu ʻŌʻō crater has been erupting continuously since January 3,...

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The Good, the Bad and the Ugly of Aerial Photography - Part 5: Examples and Comparison

Posted on 16th July, 2017

So far in this series I have talked about the advantages of aerial photography and about shooting from a helicopter as opposed to shooting from a light plane. I have also talked about the right equipment for this kind of shoot, and about technique and parameter selection. In this final article in the series I want to discuss my experiences from 4 aerial photography sessions, compare them and analyze what I learned from them. I won't be presenting any new...

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Wider than Wide: My Thoughts on the Canon 11-24mm f/4

Posted on 23rd May, 2017

Even though I've been writing article about photography for over 4 years, I've never written any equipment reviews. And why should I? There are far better equipment experts, technical fanatics, pixel-peepers (I mean that in a good way!) and gear enthusiasts than me out there. My fields of expertise are different, and my writing consists mostly of photographic vision, composition, the philosophical aspects of photography and so on. I intend to keep this line of writing, and for the most...

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Article: On Causality in Landscape Photography

Posted on 1st May, 2017

Causality is the relationship between cause and effect – and in landscape photography, this dynamic can help you tell a story, beyond the conventional structures of composition and color. Considering causality in a landscape image can have a number of advantages. First of all, including a visual indication of cause and effect can provide a through-line, within the composition of an image. Imagine a light source - mostly the sun or the moon in nature photography - on one side of the...

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The Good, the Bad and the Ugly of Aerial Photography - Part 4: Technique

Posted on 13th March, 2017

In the previous article in this series, I talked about the equipment one might use for aerial photography. So what about technique, and especially camera settings? What should you consider when shooting from the air?  The important thing to remember here is that you’re shooting from a moving, vibrating aircraft instead of from stable ground. This simply means that in order to keep your shots sharp, you’ll need to use a high shutter speed. Remember that the...

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The Good, the Bad and the Ugly of Aerial Photography - Part 3: Equipment

Posted on 26th November, 2016

In previous articles I've discussed the advantages of aerial photography and shooting from a helicopter as opposed to shooting from a light plane. But are there any special considerations with regard to equipment when shooting from the air? Since we’ve already established that it’s the superior choice (at least in my opinion), let’s concentrate on the helicopter first. An open door gives the photographer a vast range of angle options, and...

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